Girlyman
Main Menu
Home Shows The Music Get to Know Us Buy Things Help Us Presskit Contact Blurbs/Bio Quotes Sound Clips Achievements Photos/Posters Articles Tech Specs PDF Press Kit

back to articles

Press

The Boston Globe
January 22, 2004

Girlyman
Remember Who I Am
Clever Shark Records

So who's behind the irresistible moniker of Girlyman, a trio that fits the bill for swirling styles and gender roles, both individually and collectively? Doris Muramatsu and Tammy Greenstein, whose 2002 debut as The Garden Verge received an Outmusic Award for Best New Recording by a duo, make up two-thirds of Girlyman. Rounding out the group is former Bostonian and Boston Music Award winner Nate Borofsky.

Photo of Girlyman

The accolades don't stop there, however. This past summer, Girlyman was voted "Most Wanted to Return" by fans at the prestigious Falcon Ridge Folk Festival; surprisingly, the trio had formed as a musical unit only a few months before the event. One listen to the 12 tracks on Girlyman's first studio project, "Remember Who I Am," and you'll understand why they snagged an audience-favorite nod so effortlessly.

Their resonant sound is one that you're almost guaranteed not to expect. Equal parts Indigo Girls, Alison Krauss & Union Station, and REM, Girlyman's mellow, rootsy atmospherics feel right at home in an intimate acoustic venue like Harvard Square's Club Passim, where the trio recently performed. The group members trade songwriting responsibilities on most numbers, though their techniques flow together as smoothly as their electric harmonies.

Aptly titled, "Remember Who I Am" is a stirring collection of remembrances -of friends, of lovers, of ways of life. "Viola," the disc's lovely opening elegy, dips and soars more gracefully than many songs of its kind ("I drowned myself tonight in sangria/ Made with sliced up fruit and cheap marsala"). Other ballads such as "Say Goodbye" and "The Shape I Found You In" move deeply and deliberately courtesy of Joe Dye's pedal steel guitar, which floats through the songs like a somber ghost. The dreamy "Maori" boasts a gorgeous melodic finesse as it contemplates the faraway natives of New Zealand, while "Amaze Me" tells a quirky tale of love for America in a dark time. Each song hooks into what's visceral and true. (8 out of 10) -Jason Roush

back to articles

home            shows            the music            get to know us            buy things            help us            presskit            contact
Blurbs/Bio        Quotes        Sound Clips        Achievements        Photos/Posters        Articles        Tech Specs       PDF Press Kit
© 2002 Girlyman
PO Box 1078
New York, NY 10113-1078
info@girlyman.com